Renaud Barbaras, La vie lacunaire [Thomas Vercruysse, p. 324] • Wolfram Hogrebe, Der implizite Mensch [Federica Ceranovi, p. 334] • Emmanuel Alloa, Das durchscheinende Bild [Maria Teresa Costa, p. 344] • Alexander R. Galloway, The Interface Effect [Angela Maiello, p. 346] • Francisco José Ramos, La significación del lenguaje poético [Michele Gardini, p. 348] • Alessandro Arbo, Entendre comme. Wittgenstein et l’esthétique musicale [Leonardo V. Distaso, p. 351.

Volumi e saggi Jay Schulkin, Reflections on the Musical Mind. An Evolutionary Perspective , [Michele Gardini, p. 202] • Hans Belting, Faces. Eine Geschichte des Gesichts [Pietro Conte, p. 205] • Aby Warburg, Il primo Rinascimento italiano. Sette conferenze inedite [Alice Barale, p. 207] • Laura Anna Macor , Reading Schiller: Ethics, Aesthetics and Religion [Lorenzo Leonardo Pizzichemi, p. 209] • Bernard Lafargue, Stéphanie Cardoso , Figures de l’art n° 25, Philosophie du design [Claire Azéma, Anne Beyaert Geslin, Stéphanie (...) Cardoso, Cécile Croce, p. 212] • Helmut Leder et al., What Makes an Art Expert? Emotion and Evaluation in Art Appreciation , “Cognition and Emotion”, 2013, 28, pp. 1-11; Enric Munar et al., Aesthetic Appreciation: Event-Related Field and Time-Frequency Analyses , “Frontiers in Human Neurosciences”, 2012, 5, pp. 1-11; Gerald C. Cupchik et al., Viewing Artworks: Contributions of Cognitive Control and Perceptual Facilitation to Aesthetic Experience , “Brain and Cognition”, 2009, 70, pp. 84-91 [Gianluca Consoli, p. 217]. (shrink)

Books Christy Mag Uidhir, Art andObjects [Elisa Caldarola, p. 182] • Julie Jaffee Nagel, Melodies of the Mind. Connections Between Psychoanalisis and Music [Michele Gardini, p. 185] • Dominic McIver Lopes, Beyond Art [Filippo Focosi, p. 187] • Annemarie Gethmann-Siefert, Herta Nagl-Docekal, Erzsébet Ròsza, Elisabeth Weisser-Lohmann, Hegels Ästhetik als Theorie der Moderne [Lorenzo Leonardo Pizzichemi, p. 190] Comments Toward an Integrated Science of Aesthetics. Getting Rid of the Main Misunderstandings in Evolutionary Aesthetics [Mariagrazia Portera, p. 194].

We study increasing F-sequences, where F is a dilator: an increasing F-sequence is a sequence (indexed by ordinal numbers) of ordinal numbers, starting with 0 and terminating at the first step x where F(x) is reached (at every step x + 1 we use the same process as in decreasing F-sequences, cf. [2], but with "+ 1" instead of "- 1"). By induction on dilators, we shall prove that every increasing F-sequence terminates and moreover we can determine for every dilator (...) F the point where the increasing F-sequence terminates. We apply these results to inverse Goodstein sequences, i.e. increasing (1 + Id) (ω) -sequences. We show that the theorem every inverse Goodstein sequence terminates (a combinatorial theorem about ordinal numbers) is not provable in ID 1 . For a general presentation of the results stated in this paper, see [1]. We use notions and results concerning the category ON (ordinal numbers), dilators and bilators, summarized in [2, pp. 25-31]. (shrink)

Esito di un convegno tenutosi a Roma nel 2003, i saggi raccolti in L’arte e i linguaggi della percezione offrono una variegata panoramica delle posizioni maturate nel dibattito intorno al programma epistemico di Ernst H. Gombrich, prendendo in esame non soltanto gli aspetti più squisitamente filologici della sua biografia intellettuale — la formazione, i rapporti con la scuola di Vienna, la complicata relazione con Warburg e la scuola iconologica — ma anche i fondamenti filosofici del suo pen...

L’ouvrage propose une nouvelle traduction italienne du traité 31 (V, 8) de Plotin « Sur la beauté intelligible », assortie de nombreux éléments de commentaire. Le tout est précédé d’une longue introduction issue d’un cours donné par l’auteur, dont les quatre parties offrent une perspective historico-philosophique sur le texte, par là resitué dans le cadre du développement de la pensée antique en général et de l’œuvre plotinienne en particulier. Réalisée à partir de l’editio maior de Henry et...

This is one more edition of Voltaire's "Candide", meant to highlight the wealth of philosophical and theological discussions hidden behind the apparently innocent veil of the most renowned fable of modernity. The rather extended apparatus accordingly consists of a series of short chapters by Filippo Bruni on the Enlightenment and Metaphysics, and in more detail, on theology, Free choice, the problem of evil, and happiness in an imperfect world and another by Sergio Cremaschi on the Enlightenment and morality, and in (...) more detail on moral universalism, religion without metaphysics, toleration, and pacifism. -/- Table of contents I. Before the text A trick for priests A scandalous book Garden with view -/- II. Text Candide or optimism -/- III. Context Biography 1. The seven years war 2. Calvinists and Socinians 3. Jiansenists and Gesuits 4. Marranos and inquisitors 5. Conquistadores and slave-traders 6. Paraguay under the Jesuits -/- IV. Co-text 1. Enlightenment and Metaphysics 1.1. Theology 1.2. Free choice 1.3. The problem of evil 1.4. Being happy in an imperfect world -/- 2. Enlightenment and morality 2.1. Universal morality 2.2. Religion without Metaphysics 2.3. Toleration 2.4. Pacifism -/- 3. Enlightenment and the images of other places 3.1. The image of Eldorado 3.2. The image of Paraguay 3.3 The image of the Islamic world 3.4. The image of the Jew -/- 4. The conte philosophique -/- Bibliography Lexicon Index of names and concepts -/- V. Reader’s guide. (shrink)

We introduce proof nets and sequent calculus for the multiplicative fragment of non-commutative logic, which is an extension of both linear logic and cyclic linear logic. The two main technical novelties are a third switching position for the non-commutative disjunction, and the structure of order variety.

This work is devoted to the relations between Lambek’s Syntactic Calculus and noncommutative variants of Girard’s Linear Logic; in particular the paper will consider: the geometrical representation of the laws of LC by means of proof-nets; the discovery - due to such a geometrical representation - of some laws of LC not yet considered; the discussion of possible linguistic uses of these new laws.